Monday, April 26, 2010
Monday, March 8, 2010
Will we even vote about Armenia?
Monday, February 1, 2010
Cutting the Gas Line: Part of a Broader Issue?
Tuesday, January 26, 2010
cultural confusion
Different Armenian Generations
Balakian belongs to a generation of contemporary Armenian authors who have written about the struggle of their people in the 20th century. The novel reminds me of another book I've read that involves Armenian culture, especially the Armenian genocide. However, instead of describing the life of a third generation genocide survivor living in the United States and striving to find his culture in a very different land from that of his family, Adam Bagdasarian's Forgotten Fire tells the story of a teenage boy, the author's great uncle Vahan Kenderian, who eye witnessed and survived the genocide in the Ottoman Empire, including his father's disappearance, his brothers' murders, and his own escape, leaving his mother behind in a killing field. Vahan was eventually able to immigrate to the United States in 1921. His arrival at Ellis Island marks the crossing point between his past and his future.
Both authors, Balakian and Bagdasarian, talk about the lives of Armenian genocide survivors and their descendants. Bagdasarian talks about the actual ordeals of earlier 20th century Armenians in the Ottoman Empire whereas Balakian chooses to discuss how that Armenian culture can fit in to the more complex American culture, which incorporates cultures from all over the world. It is the story of rebuilding a family's life after tragedy and about trying to find one's identity and place in society. Together, the two narratives can be seen as two chapters in the same story of overcoming suffering and starting anew.
"Born in New York City"
“The more aloof, distant, and disapproving my father became, the more I thought of him as Armenian. The truth is I never thought of my father as an immigrant…He was so thorough about not identifying with ways that might be thought of as ‘ethnic’—that generic word Americans like to use to refer to ‘the other’ …He sometimes told people he was born in New York City. ‘It makes it easier,’ he said. ‘When I die just put ‘born in New York City,’’ he told me once when I was in college. Around his Armenian friends he never said such things; they all knew he was born in Constantinople.” (79-80)
Balakian portrays his father’s desire to blend into American culture and not appear “ethnic” as a result, possibly, of his experiences during the Armenian genocide when he was part of “the other.” Negative experiences such as the “train departing Constantinople” (84), most likely the Berlin-Baghdad Railway, have made it easier for Balakian’s father to forget his past and “not identify” with the ugly side of the Armenian past. The emotions and memories Balakian’s father associates with his Armenian past are so powerful and influential that he does not even want to speak the Armenian language with his Armenian patients. Balakian’s father tells people that he was born in New York City to not only become part of the “we,” the majority of Americans born in the United States, but also to further distance himself from his Armenian past. Interestingly, Balakian’s father never mentions this false New York City birth story among his Armenian friends since “they all knew he was born in Constantinople.” Possibly, the shared experiences during the Armenian genocide have created an unspoken connection between Balakian’s father and his friends that delves deeper than the subject of birthplace. The power of these past experiences has created the feeling that only those who have lived through the same experiences can comprehend the magnitude of the Armenian genocide. Essentially, the Armenian genocide is a subject that Balakian’s father only feels comfortable acknowledging, even very subtly, with his closest companions.